Acoustic Guitars
at St. Some Where

Takamine Flatpicker TF360SBG Review

Crisp tones and solid electronics make this guitar a versatile flatpicking and songwriting tool. With audio examples.
Guild CV-1C Review

Combining a classic body style with innovative new features, Guild delivers a great-sounding grand auditorium.
Composite Acoustics GX Performer Review

Intelligent application of carbon-fiber construction yields an exceptionally playable and sweet-sounding grand auditorium.
Larrivée PV-09 Review

Contemporary design features and outstanding electronics come together in a beautiful parlor guitar that doesn't sacrifice tone or playability.
Taylor GC7 Review

Following the success of its GS series, Taylor applied similar concepts to the mid-size GC7. The result: a stunning instrument with complex overtones and a broad, open voice.
Bourgeois DBJ-C

A thoroughly contemporary fingerstyle guitar made in a small-shop environment.
Walden G570

Handsome sunburst cedar top delivers three-dimensional tone and responsiveness at an attractive price.
Stonebridge Fingerstyle G-23-CR

Built in Eastern Europe, this beautifully made flattop offers excellent value in a fingerstyle-friendly mini-jumbo format.
Yamaha CPX900

An attractive mini-jumbo that combines affordability, innovative electronics, and quality construction.
The Loar LH-500 Acoustic Archtop

An affordable interpretation of the legendary L-5 archtop combines craftsmanship and crisp, cutting tones at the right price.
Martin M-42 David Bromberg

The renowned flattop makers honor a folk-blues legend with a signature model and deliver an exquisite and exceptionally well-balanced M body.
Parker P8E

After stirring up the electric guitar world with its radical design ideas a decade ago, Parker has now introduced a postmodern flattop with custom electronics to entice acoustic pickers.
Gibson CJ-165

A gorgeous, small-bodied jumbo guitar with balanced tones and lots of power.
Alvarez-Yairi Masterworks DYM95C Aura

A contemporary take on the dreadnought design.
National Reso-Phonic 14-fret Style O

Sustaining treble, midrange spunk, and exemplary craftsmanship converge in a metal-bodied resonator with extra finger room.
Larrivee LSV-11E (August 2006)

Graceful looks and balanced tones meet in a well-appointed fingerstyle guitar with irresistible playability.
Santa Cruz Vintage Southerner (July 2006)

This immaculately built, incredibly responsive small-scale dreadnought boasts clear, balanced tones and is excellent for roots music and powerhouse strumming.
Taylor GS Flattop (June 2006)

The company's first new body shape in more than ten years boasts hallmark playability but breaks the mold with thumping bass and a smooth, complex character.
Johnson JD-26 Dreadnought (May 2006)

An all-solid-wood dreadnought that delivers vintage tone and feel—without breaking the bank.
Ibanez EW20ASENT Acoustic-Electric (April 2006)

This flattop has exotic woods and versatile electronics.
Epiphone AJ-500RC 12-Fret (March 2006)

Vintage vibe and complex tones come together in a dreadnought suited for fingerstyle.
Ramirez S1 Classical (February 2006)

The celebrated Spanish masters' newest model boasts superior clarity, lightning-fast response, and robust volume.
Durango B-46 Slope-Shoulder Dreadnought (January 2006)

An unbelievably great-sounding flattop with authentic vintage vibe and a price tag that'll make you flip.
Tanglewood TW15-N-NS Dreadnought (December 2005)

A tastefully appointed solid-wood flattop with sparkling treble, stout mids, and deep bass.
Taylor 710 CE-L9 Short-Scale Dreadnough. (November 2005)

A versatile hybrid charmer with vintage-dreadnought whomp, short-scale playability, and state-of-the-art onboard electronics.
Takamine TC135SC Nylon-String (October 2005)

Warm amplified tones and a versatile setup make this a brilliant crossover guitar for steel-string players.
Alvarez RF20SM Regent Folk Steel-String (September 2005)

A brilliant-toned bargain ax suitable for newbies or discriminating experts.
Fender ESD-10 Dreadnought (August 2005)

An elegant and versatile debut from Fender's new Ensenada series.
Mighty Tones (February 2003)

Eight Acoustic Amplifiers Reviewed.
Rainsong OM-1000 (February 2002)

The latest developments in Rainsong's research produce an impressive small-body guitar.
Boom Chuck (November 2001)

Ten top-flight $2,500 dreadnoughts put to the test.
Six Pickups (September 2001)

Pickups from L.R. Baggs, B-Band, GHS, Pick-up the World, Schertler, and Seymour Duncan.
Ovation Adamas SMT (August 1998)

Ovation's affordable acoustic-electric features a carbon fiber top.